How universal the message is no matter what language it’s in. What has struck you the most about the international success of Encanto and its soundtrack? It’s brought music back into my life in such an amazing way. I did not expect this attention and I’m honored by it, and it has opened doors to music in a way now that I would never have imagined. I thought people would listen to it and think it’s cool, but never did I think it would be so catchy. But I realize it’s also such an explicitly emotional song and it’s hard to vibe with something like that. I just hoped that people resonated with the lyrics, the message and Luisa, because it’s so important. I had no freaking clue! Every single day someone from my family or one of my besties texts me saying, “Dude, why are you on my TikTok?” I felt nervous because of my insecurity about how I wanted my voice to sound - and wondered if I even sounded good singing this style of music. The beautiful thing about Disney is that they touch on deep messages that will penetrate whether you realize it or not in their music, especially with the writing of Lin-Manuel Miranda.ĭid you expect “Surface Pressure” to be such a big hit? He told me, “You don’t have to worry about sounding perfect just ride these notes on the song and see where it goes,” which is what I ended up doing, and it’s ironically Luisa’s journey: you don’t have to be so perfect, stop being so rigid. Lin gave me notes that encouraged me to bring out the texture in my voice and lean into the emotional message behind, and what it made me feel emotionally and viscerally. I get to tell this very important story through this beautiful art form that is safe and through the lens of a Disney character. The third time I went to record it, I had a month’s space in between - I thought about the song even more, and I realized how much I needed to let myself lean into the lyrics. My first recording of the song was before I did a lot of the dialogue, so it colored the rest of my performance and creation of Luisa. I just winged it, and it was pretty good. It was my own creative process working on the song - I wasn’t given any lessons beforehand, and they wanted to see what I would do with it. When it was time to go into the studio, they gave me so much room to be creative. What was the recording process like for “Surface Pressure”? 9 on the Hot 100).īelow, Darrow reflects on the recording process of “Surface Pressure,” the global success of Encanto and her upcoming musical projects. 5, while breakout hit “We Don’t Talk About Bruno” leads the Billboard Hot 100, marking just the second time ever that a song from a Disney animated film has topped the chart (“Surface Pressure” reaches a new high this week as well, at No. 1 on the Billboard 200 on charts dated Feb. The soundtrack is spending a third nonconsecutive week at No. “Surface Pressure,” in which Darrow sings about the weight many families put on elder siblings, is just one of the many songs currently thriving from Encanto. The subsequent success of the role has come as a surprise to Darrow, who notes that she didn’t expect that “the first thing I booked as a struggling artist was going to be an immortalized Disney character who sings about generational trauma and mental health.” “ is what I ended up doing and it’s ironically Luisa’s journey: you don’t have to be so perfect, stop being so rigid.” “He told me, ‘You don’t have to worry about sounding perfect: just ride these notes on the song and see where it goes,’” Darrow tells Billboard. The song - performed by Jessica Darrow as Luisa, the freakishly strong oldest sister of the Madgrigal family, in Disney’s animated film - conveys the relentless weight many families put on elder siblings.'We Don't Talk About Bruno,' From 'Encanto,' Hits No. Are you feeling the pressure to learn every word to the mile-a-minute Encanto song “Surface Pressure”? Fear no more, because you can follow along with Lin-Manuel Miranda‘s trademark rapid-fire lyrics below.
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